The Bloody Chamber and Other Stories: OCR A‑Level English Literature questions
Every OCR A-Level English Literature exam question on The Bloody Chamber and Other Stories, 2021–2025, with its mark scheme and examiner’s report.
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All 9 questions on The Bloody Chamber and Other Stories, as a list
- June 2025, Component 2, Q4(b) (30 marks): Angela Carter: The Bloody Chamber and Other Stories* ‘Although Gothic tales depend on fantasy, they can tell us deep truths about human nature.’ By comparing Th
- June 2025, AS Component 2, Q8 (30 marks): Angela Carter: The Bloody Chamber and Other Stories Discuss ways in which Carter transforms folk-tales in The Bloody Chamber and Other Stories. In your answer y
- June 2024, Component 2, Q4(b) (30 marks): Angela Carter: The Bloody Chamber and Other Stories* ‘Gothic writing often depends on the idea of being trapped in a situation from which there seems to be no e
- June 2024, AS Component 2, Q8 (30 marks): Angela Carter: The Bloody Chamber and Other Stories Discuss ways in which Carter presents the authority of men over women. In your answer you should select mate
- June 2023, Component 2, Q4(b) (30 marks): Angela Carter: The Bloody Chamber and Other Stories* ‘Gothic texts are inclined to challenge traditional gender roles.’ By comparing The Bloody Chamber and Othe
- June 2023, AS Component 2, Q8 (30 marks): Angela Carter: The Bloody Chamber and Other Stories Discuss Carter’s presentation of male and female roles in The Bloody Chamber and Other Stories. In your answ
- June 2022, Component 2, Q4(b) (30 marks): Angela Carter: The Bloody Chamber and Other Stories* ‘Gothic fiction suggests that very primitive forces lie beneath civilised life.’ By comparing The Bloody Ch
- June 2022, AS Component 2, Q8 (30 marks): Angela Carter: The Bloody Chamber and Other Stories Discuss Carter’s presentation of masculine power in The Bloody Chamber and Other Stories. In your answer you
- November 2021, Component 2, Q4(b) (30 marks): Angela Carter: The Bloody Chamber and Other Stories* ‘In Gothic writing, characters and events must be rooted in ordinary life.’ By comparing The Bloody Chamber
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