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The Rover: Edexcel A‑Level English Literature questions

Every Edexcel A-Level English Literature exam question on The Rover, 2016–2025, with its mark scheme and examiner’s report.

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900 questions

  1. Q25

    June 2025 · Paper 1

    25 marksThe Rover
    The whole paper ↗
    0 words
  2. Q26

    June 2025 · Paper 1

    25 marksThe Rover
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    0 words
  3. Q11

    June 2025 · AS Paper 1

    48 marksThe Rover
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    0 words
  4. Q12

    June 2025 · AS Paper 1

    48 marksThe Rover
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    0 words
  5. Q25

    June 2024 · Paper 1

    25 marksThe Rover
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    0 words
  6. Q26

    June 2024 · Paper 1

    25 marksThe Rover
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    0 words
  7. Q11

    June 2024 · AS Paper 1

    48 marksThe Rover
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    0 words
  8. Q12

    June 2024 · AS Paper 1

    48 marksThe Rover
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    0 words
  9. Q29

    June 2023 · Paper 1

    25 marksThe Rover
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    0 words
  10. Q30

    June 2023 · Paper 1

    25 marksThe Rover
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    0 words
  11. Q11

    June 2023 · AS Paper 1

    48 marksThe Rover
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    0 words
  12. Q12

    June 2023 · AS Paper 1

    48 marksThe Rover
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    0 words
  13. Q29

    June 2022 · Paper 1

    25 marksThe Rover
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    0 words
  14. Q30

    June 2022 · Paper 1

    25 marksThe Rover
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    0 words
  15. Q15

    June 2022 · AS Paper 1

    48 marksThe Rover
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    0 words
  16. Q16

    June 2022 · AS Paper 1

    48 marksThe Rover
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    0 words
  17. Q29

    November 2021 · Paper 1

    25 marksThe Rover
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    0 words
  18. Q30

    November 2021 · Paper 1

    25 marksThe Rover
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    0 words
  19. Q29

    October 2020 · Paper 1

    25 marksThe Rover
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    0 words
  20. Q30

    October 2020 · Paper 1

    25 marksThe Rover
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    0 words
All 36 questions on The Rover, as a list
  1. June 2025, Paper 1, Q25 (25 marks): Explore the extent to which Aphra Behn’s The Rover is mainly about material gain. You must relate your discussion to relevant contextual factors.
  2. June 2025, Paper 1, Q26 (25 marks): Explore Behn’s use of settings in The Rover. You must relate your discussion to relevant contextual factors.
  3. June 2025, AS Paper 1, Q11 (48 marks): ‘The Rover does not seek to challenge the contemporary class system as Aphra Behn’s attitude to class is conservative.’ In the light of this comment, explore Be
  4. June 2025, AS Paper 1, Q12 (48 marks): ‘Hellena and Florinda are such contrasting characters that they have little in common apart from their gender.’ In the light of this comment, explore Behn’s dra
  5. June 2024, Paper 1, Q25 (25 marks): Explore the presentation of male behaviour in Behn’s The Rover. You must relate your discussion to relevant contextual factors.
  6. June 2024, Paper 1, Q26 (25 marks): Explore how Behn uses features of comedy in The Rover. You must relate your discussion to relevant contextual factors.
  7. June 2024, AS Paper 1, Q11 (48 marks): ‘Behn creates strong female characters who attempt to gain some control over their lives and destinies.’ In the light of this comment, explore Behn’s dramatic p
  8. June 2024, AS Paper 1, Q12 (48 marks): ‘Carnival gives licence for characters to explore their vices and forget about their virtues.’ In the light of this comment, explore Behn’s dramatic presentatio
  9. June 2023, Paper 1, Q29 (25 marks): Explore the significance of Angellica’s picture in Behn’s The Rover. You must relate your discussion to relevant contextual factors.
  10. June 2023, Paper 1, Q30 (25 marks): Explore Behn’s presentation of shifting moods in The Rover. You must relate your discussion to relevant contextual factors.
  11. June 2023, AS Paper 1, Q11 (48 marks): ‘In matters of love and lust, the characters give in to their physical desires.’ In the light of this comment, explore the dramatic presentation of lust in The
  12. June 2023, AS Paper 1, Q12 (48 marks): ‘Wit is a prized virtue in The Rover.’ In the light of this comment, explore the dramatic presentation of wit in The Rover. In your answer you must consider rel
  13. June 2022, Paper 1, Q29 (25 marks): Explore the ways in which Behn presents a conflict between freedom and control in The Rover. You must relate your discussion to relevant contextual factors.
  14. June 2022, Paper 1, Q30 (25 marks): Explore the significance of the title in Behn’s The Rover. You must relate your discussion to relevant contextual factors.
  15. June 2022, AS Paper 1, Q15 (48 marks): ‘In Restoration comedies the characters are driven by lust and greed but, above all, revenge.’ In the light of this comment, explore the dramatic presentation o
  16. June 2022, AS Paper 1, Q16 (48 marks): ‘The Rover demonstrates that greed is the strongest driving force in human behaviour.’ In the light of this comment, explore the dramatic presentation of greed
  17. November 2021, Paper 1, Q29 (25 marks): Explore the extent to which Behn presents The Rover as a dark comedy. You must relate your discussion to relevant contextual factors.
  18. November 2021, Paper 1, Q30 (25 marks): Explore how Behn presents challenges to convention in The Rover. You must relate your discussion to relevant contextual factors.
  19. October 2020, Paper 1, Q29 (25 marks): Explore how Behn presents the relationship between Willmore and Hellena in The Rover. You must relate your discussion to relevant contextual factors.
  20. October 2020, Paper 1, Q30 (25 marks): Explore how Behn presents the ending of The Rover. You must relate your discussion to relevant contextual factors.
  21. October 2020, AS Paper 1, Q15 (48 marks): ‘None of the characters in The Rover fits into society.’ In the light of this comment, explore Behn’s dramatic presentation of the outsider in The Rover. In you
  22. October 2020, AS Paper 1, Q16 (48 marks): ‘Much of the action takes place in locked rooms and private locations.’ In the light of this comment, explore Behn’s dramatic presentation of private and public
  23. June 2019, Paper 1, Q29 (25 marks): Explore how Behn presents changing ideas about women in The Rover. You must relate your discussion to relevant contextual factors.
  24. June 2019, Paper 1, Q30 (25 marks): Explore Behn’s portrayal of deception in The Rover. You must relate your discussion to relevant contextual factors.
  25. June 2019, AS Paper 1, Q15 (48 marks): ‘The threat of violence overrides the comedy in The Rover.’ In the light of this comment, explore the dramatic presentation of violence in The Rover. In your an
  26. June 2019, AS Paper 1, Q16 (48 marks): ‘The Rover shows us that at this time a woman could be either a virgin or a whore – with no in-between.’ In the light of this comment, explore the dramatic pres
  27. June 2018, Paper 1, Q29 (25 marks): Explore how Behn presents Florinda in The Rover. You must relate your discussion to relevant contextual factors.
  28. June 2018, Paper 1, Q30 (25 marks): Explore how Behn makes use of the conventions of Restoration comedy in The Rover. You must relate your discussion to relevant contextual factors.
  29. June 2018, AS Paper 1, Q15 (48 marks): ‘There is nothing very comic about Angelica’s situation.’ In the light of this comment, explore Behn’s dramatic presentation of Angelica in The Rover. In your a
  30. June 2018, AS Paper 1, Q16 (48 marks): ‘Naples provides a pleasant escape from the restrictions of Puritan England.’ In the light of this comment, explore Behn’s dramatic use of setting in The Rover.
  31. June 2017, Paper 1, Q29 (25 marks): Explore how Behn plays with the unconventional in The Rover. You must relate your discussion to relevant contextual factors.
  32. June 2017, Paper 1, Q30 (25 marks): Explore Behn’s presentation of the character of Belvile in The Rover. You must relate your discussion to relevant contextual factors.
  33. June 2017, AS Paper 1, Q15 (48 marks): ‘The issue of money underlies much of the action in The Rover.’ In the light of this comment, explore Behn’s dramatic presentation of the importance of wealth a
  34. June 2017, AS Paper 1, Q16 (48 marks): ‘Willmore is attractive because he is so open about his intentions.’ In the light of this comment, explore Behn’s dramatic presentation of Willmore in The Rover
  35. June 2016, AS Paper 1, Q15 (48 marks): ‘The use of disguise allows characters certain freedoms from convention, but these are limited.’ In the light of this comment, explore Behn’s dramatic presentat
  36. June 2016, AS Paper 1, Q16 (48 marks): ‘Hellena is at the heart of the play – spirited, witty, determined.’ In the light of this comment, explore Behn’s dramatic presentation of Hellena in The Rover.

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